1. Introduction about yourself.
My name is Elias Stern and I am a freelance illustrator living and working in the beautiful city of Vienna, Austria. I earn my living by making art for a couple of years now. But I am a creator at heart, ever since I can remember.
2. Your space sci-fi images are so good. Any reason you create such particular kind of art?
The first movie I ever watched was the Star Wars. Ever since then I had a keen interest in science fiction. I grew up watching the entire Star Wars series back and forth, as well as Star Trek and Battle-star Galactica and read the works of Isaac Asimov, Stanislaw Lem, Arthur C. Clarke, Frank Herbert and Robert A Heinlein amongst many others. In games as well, the SciFi-Genre was among my top contenders, from Halo, Home-world and Mass Effect amongst many others. As such it was only natural that my artistic journey would take roots in space as well.
3. All your works are so movie like. They look great. What software are you using?
Thank you very much, that is very kind of you to say. The backbone of my digital work are Blender and Photoshop. The latter was there almost from the beginning, ever since I was given a copy of Photoshop when I was around eleven years old. Blender came in much later, after having used Sketch-up for the longest of times, but is now doing a lot of the heavy lifting and the software where I want to grow the most (and where there are probably an infinite amount of possibilities.
4. How do you get inspired? Any favorite artists? Do you take inspiration from movie posters?
Yes, the many examples mentioned above inspire me to no end and fans of some of these franchises can surely see their influence in my work. Movie and game posters surely inspired me more than once. When done well it can be an incredible combination of visual atmosphere, character and emotion, that I strife to achieve in my work as well. But my greatest source of inspiration comes from an old master. Having started my creative endeavor in traditional painting, that got kick-started by JMW Turner when I was around eleven years old, it has been my driving force ever since. Back then my visual arts were split in two. On one hand I had the colorful, more romantic way of painting, that focused on landscapes, everyday life and the surreal, whilst on the other, the digital realm was mainly occupied with exploration of space. At some point, those two fields started to overlap which eventually led to the colorful, vibrant scifi pieces you can find now. To me space needn’t be dark nor silent. Whenever I can, I put style over realism, however shallow some people might find that approach, but I slowly left behind any trepidation of using strong and powerful colors.
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5. Share any of your favorite art from your gallery. Any special reason you created them?
It’s really hard to pick favorites, but since we are mostly focused on scifi for now, that makes things easier for me.I’ll give you three (more or less), all of them commissioned by wonderful people, that allowed me a lot of creative freedom as we were developing these cover artworks. First up a series of covers, that together were meant to be a collection of shorter prequel stories to Eric Warrens Infnity’s End Series of novels, each of them focusing on a single character of the main series. The Trouble was, we also had to have the ship in focus as well, so it was quite difficult to find a suitable approach, until we settled on a simple setup: the characters looking out from a station towards the ship. To avoid repetition, each artwork would feature subtle (and not so subtle) differences, aside from the coloring. For example, Robeaux isn’t a guy that follows the rules and is
less levelheaded than the others. As such he got a warmer, more vibrant colour, was put off center and the camera was slightly angled.
In contrast to that, the “military-man” Greene is in center, the camera is squarely behind him and the color not only fits his name, but is also a subtle hint to his military background. There were more considerations made in these four covers, as the foreground station that has different styles, that were meant to mirror each character.
Next I absolutely love working with Jamie McFarlane on his Junkyard Pirates series (as well as his other works), that lets me focus on something that’s not usually the focus in scifi: the junk that is left behind. It gives me an opportunity to add in tiny details here and there that remain unseen by most (the cranes in the back are piling up junk from a salvaged spaceship, whilst a small shuttle on the rightmost is strolling around with its price for example) and giving a wonderful sense of chaos, whilst not coming off as a hostile universe.
Last is a piece made for a novel by M.G. Herron which is to me quintessentially Space Opera. He wanted a heavily industrialized world, our hero-Starfighter and some traffic in the background, but I got so captivated by my imagination, that I spent ages making more ships and stations to fill the background, that in the end came together with some unexpectedly beautiful colors, despite the more gritty world that was depicted. If I ever have space to print and hang this piece, I would, because it always inspires me to go back in, make even more models to fill the scene with many,many more ships, each of them telling a story of their own.
6. How much time does it take to create a single image? Do you work on multiple projects?
Its hard to give a number on that. Most personal work gets done rather quickly, since I usually don’t get to do that often. Mostly it’s me having an evening or afternoon off, so I have to do it in 3-4 hours. With commissions it highly depends on revisions and on how quickly the customer finds a direction they like. Sometimes the first round of sketches is enough to find something to pursue until completion, whilst with others it may take 20 (24 was my record!). Though that is luckily the exception.
YES, absolutely YES! I always work on multiple projects simultaneously. It gives me a chance to switch back and forth, should I ever lose my drive on one of them. Maybe another picks my interest more at the moment? I can always come back later. Also, I like to experiment and widen my horizons beyond SciFi. At the moment I am working on some historical clothing for a client. Not something I’m good at and far away from my comfort zone, so I jumped at the chance.
7. Please share any tips on how you create such amazing art.
